If you hear the movie press machine tell it, I’m supposed to come away from 50/50 talking about how it’s a new type of cancer movie: frank, funny, and unconventionally moving and based on the real-life cancer experiences of its screenwriter, Will Reiser. Instead, I left with a cool feeling toward the film’s misogyny, something that Seth Rogen’s presence often serves as a dog whistle for. Whether intentional or not, 50/50 turns