(BY ALI NADERZAD) When American contemporary cinema is good, it’s really good. The English have Stephen Frears (The Queen is probably the most important film of the last decade) and we have the Coen brothers. But what is “American” you ask? American cinema right now is a Cormack McCarthy novel set in a dry Texan town. And it’s money. Lots of it. It’s a guy who finds this money and then runs away from the man this money belongs to (Javier Bardem). The plot of No Country for Old Men is thin, it’s the kind that fits on a dinner napkin. Lewellyn Moss (Josh Brolin) is a